Brando's monologue beside his dead wife has sent many a film student into a paroxysm of pleasure in this groundbreaking erotic drama from acclaimed director Bertolucci (THE CONFORMIST, THE LAST EMPEROR). Nothing is taboo in their relationship, but confrontation comes when Paul breaks the spell of impersonality. While Paul clearly hopes to forget about his wife, Jeanne is simply overwhelmed by her fiancé (Jean-Pierre Leaud, in a somewhat Bertolucci-satirizing role), a filmmaker who wants her to be his subject and inspiration. The two become intimate and have a heated affair, carried on without names, in the apartment where they first met. One day, while wandering through an apartment that is available for rent, he encounters Jeanne (Maria Schneider), a lovely Parisian girl (she's 20 to Paul's 45) who is also viewing the apartment. But when his wife commits suicide, Paul goes into an existential tailspin. Marlon Brando incorporated details from his own life into the character of Paul, the globetrotting American who finally settled into a marriage and proprietorship of a fleabag hotel in Paris. Originally famed for its sexual frankness, Bernardo Bertolucci's LAST TANGO IN PARIS has managed to endure due to its sophisticated storytelling and brave lead performances.
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Bertolucci and Brando should have respected Schneider as an actress and entrusted that she would get to that emotional place without any humiliating tactics. By blurring the lines between personal and professional life for their own sexist pleasure, Bertolucci and Brando's cruel actions led to Schneider's mental and emotional trauma. It is difficult to view "Last Tango in Paris" without being a participant in Schneider's real-life sexual humiliation, and one should consider whether or not Bertolucci's drama deserves to be recognized in light of her harrowing experience. Artistic achievement should not be tied genuine psychological torture. We need to stop romanticizing method-style acting (that Brando was famous for), and the idea that the actual humans behind the role must be having a lived-in traumatizing experience in order to attain their best performance. The controversy surrounding Last Tango in Paris calls attention to the fair treatment of actors, especially when having to perform scenes of a sexual or violent nature. Pauline Kael wrote in her New Yorker review that "Bertolucci achieves realism with the terror of actual experience still alive on the screen," but the director took this authenticity too far, creating a terrifying real-life encounter that would disturb and humiliate one of his stars. "Last Tango in Paris" is an esoteric film that alternates between long-winded soliloquies and illicit moments, but there was one salacious scene in particular that caused the most controversy. Acting titan Brando was forty-eight at the time of filming alongside the nineteen-year-old newcomer Schneider in what would become her most notorious role. Last Tango in Paris director suggests Maria Schneider butter rape scene. A recently unearthed video interview with Italian director Bernardo Bertolucci from. The story centers on Paul, a middle-aged widower, and a young girl named Jeanne who engage in an intense yet detached sexual relationship where they do not even know each other's names. LOS ANGELES 'Last Tango in Paris' is making headlines again 44 years after the controversial film came out. Content warning: The following article contains descriptions of rape and sexual assault.ĭirected by Bernardo Bertolucci, "Last Tango in Paris" is a haunting erotic drama about grief and disconnection starring Marlon Brando and Maria Schneider.
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